Carte Blanche for the boot
photography by Adrienne Alcover

Cécile Paris

is an artist who has lived and worked since 1970 in France. Her gaze sweeps the fields of our daily spaces: a country road, a building facade, a town and all sorts of other seemingly anodyne objects. Her films and photographs provide us with a plethora of ways of reading them, most often resulting in a feeling of hypnotic strangeness. Night-time in Nantes is inspiring her at the moment, for an exhibition at the Lieu Unique, while Kassel’s Kasseler Kunstverein in Germany is  currently running her vision of « Ready-to-wear/Prêt-à porter ». For Crocodylus Ferragamo, born of a meeting between the artist and the famous Italian fashion house, Cécile Paris invites us to watch a pair of crocodile boots being taken out for a walk along a river.

Earliest memories
I must have been five years old. It was a pair of rubber boots, yellow, with a thin dark blue line. You can still get them today. My brother had the blue version with a thin yellow line. I preferred mine though. My brother always wanted to steal them from me when we went fishing with my father at the weekend.

 

First feelings
A pair of Camargue boots. I was fourteen years old and just adored these boots. They really made a particular kind of noise when you walked. They made me feel very confident. I still love them.

 

Last wishes
Choosing a pair of boots is complicated. I would like to have the same ones always and just wear them out. I like the idea that they just keep going and they get to see the world with me.

 

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